Elmar Hermann
Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann

Title U RU RU

Year 2025

Material Aluminium, Paper, Wood

Location Gallery of the city of Fellbach

Original, quotation, and reproduction are terms that characterize the entire exhibition. Seven aluminum “billets” are lined up inside the gallery. The round bolts serve as storage, but in the context of the gallery, they also recall famous artists such as Walter de Maria. On the lower floor, visitors find themselves in the midst of a cornfield made of wood and paper, stretching from floor to ceiling. The exhibition cites the corn plants in their vegetal form, similar to how aluminum was previously presented as a pure raw material. Both stand as ciphers for animate and inanimate nature, which, modified as needed, shape our reality. The short video shows the “Besinnungsweg” sculpture park in Fellbach as a 3D animated landscape. Henk Visch’s “Freiheit” (Freedom) circles Hermann’s sculpture “Grenzen” (Borders), repeatedly plunging into the seemingly endless cornfield, only to emerge from it again a few seconds later. An endless cycle that determines the dialogue between the motifs of the two sculptures.

– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann
– Elmar Hermann

Title U RU RU

Year 2025

Material Aluminium, Paper, Wood

Location Gallery of the city of Fellbach

Original, quotation, and reproduction are terms that characterize the entire exhibition. Seven aluminum “billets” are lined up inside the gallery. The round bolts serve as storage, but in the context of the gallery, they also recall famous artists such as Walter de Maria. On the lower floor, visitors find themselves in the midst of a cornfield made of wood and paper, stretching from floor to ceiling. The exhibition cites the corn plants in their vegetal form, similar to how aluminum was previously presented as a pure raw material. Both stand as ciphers for animate and inanimate nature, which, modified as needed, shape our reality. The short video shows the “Besinnungsweg” sculpture park in Fellbach as a 3D animated landscape. Henk Visch’s “Freiheit” (Freedom) circles Hermann’s sculpture “Grenzen” (Borders), repeatedly plunging into the seemingly endless cornfield, only to emerge from it again a few seconds later. An endless cycle that determines the dialogue between the motifs of the two sculptures.